It’s pretty much official that the WGA-AMPTP strike is over. Finally! Showrunners are scheduled back to work today with writers reporting on Wednesday of this week. With the timing of it all things could get really busy, really fast.

I stopped by my theatrical agents’ office this morning to bring them a fresh supply of headshots and resumes. It’s great to be able to stop by and have a quick chat with my team about what is happening.

When I first moved here to Los Angeles I specifically concentrated on commercials and television – not so much in the way of film. My rationale was that there was just more television being cast and commercials always came very natural to me. So I came up with my list of “Blue-Chip” shows and went after them.

The plan has worked out pretty well, thus far, but since the strike affected TV much more than film I felt it tremendously; and as a result I only had two auditions since the strike started. One was for a TV show and one was for a film. It revealed that my relationships with film CD’s aren’t as strong as they are in TV world. No worries, just something that I’ll have to make a decision about whether I want to really work on changing…or attempting to change.

I didn’t stress about the lack of film auditions during the work stoppage because I’ve kept myself super-busy since it started on November 5th. Between training to be a camera operator, picketing, commercial auditions, working on my screenplay, etc. I’ve kept it moving. I think ’08 is going to be special for me and many others. I like working in TV and commercials – a lot, but more film opportunities would be cool too.

First thing this morning I got the great news that the “WaMu” commercial I shot just before Christmas starting running. This was a great way to start off the week. I hear it looks pretty good; I hope it runs long and hard.

custom-made, one of a kind, V-neck top with rhinestone

accent and crotch-snap (also custon-made), hand-made

tight-ass fitting pant with rhinestone accent - WHAT!!!!

Later this morning I went to a SAG Wages & Working conditions meeting and on my way out I passed a guy who was on his way in the building and he had seen the commercial this morning and recognized me. I felt so odd, I’m not sure why, maybe because he really caught me off guard. It’s like I don’t know what to say. After 30+ national, regional and international commercials you’d think I’d have a clue by now…just another thing I’m working on in ’08.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Audition: “Progressive Insurance” @ Ross Lacy Casting. This was the same one I auditioned for yesterday. I was called back in because there was a problem with the sound yesterday. I don’t think it went as well today as it did yesterday. Oh well, hopefully I’m wrong.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Picketing: @ Disney Studios. It would be nice if today was the last 3-hour shift for me on the picket lines. I’m tired, the city is tired and we all need to start making money and moving forward again. Rumor has it that there is positive movement in the negotiations between the WGA and the AMPTP so maybe my hope will become a reality.

It was a lively day today; I actually talked to several people while circling the Disney Studios lot. I spoke to an actor and a writer I worked with on “Bones” and had a conversation about the relationship between SAG and AFTRA with another actor. I feel really good about my contributions to my profession. Not just during the strike, but throughout my career; I think it’s important to not be just being a taker, but also being a giver. I learned the art of giving from my mother. I’ve gotten a lot out of being a professional actor and I’ve given a lot back. Sometimes, all I have to give is a smile and an encouraging word; others times I’ve given a bit more.

Audition: "Progressive Insurance" @ Ross Lacy Casting. The audition went well. I felt that I did enough, but not too much. That’s a very important balance I’m trying to find in my auditions. I don’t want to be boring and flat, but I also don’t want to try too hard and just come as…well, as someone that’s trying to hard.

This was kinda funny. Last night I went to a screening of Michael Moore’s “Sicko” and while waiting for the film to start I was writing in my PDA and then reading the book I had with me. The book is entitled “The Five Love Languages” by Gary Chapman. So there I am being my normal self; which is sitting all they way to the right, hat pulled low, minding my own business. This attractive, relatively tall, shapely African-American woman comes in looking for the “perfect seat” where she would be able to see without anyone blocking her view. So she sits in front of me. No problem, I could still see fine. She glanced back at her new surroundings, still wondering if she made the right decision. She looked at me and I smiled back, which is normal for me as I’m usually very friendly if approached.

A moment later she turned around again and asked if anyone was sitting beside me. I said “no” and she made her way back. As she squeezed her way in through the very tight seats in this particular theatre she put both of her hands firmly on my shoulders. This woman was about an inch taller than me – I felt her electricity. No! I really did. Touch! Is a very important way of connecting!

So she’s sitting beside me and we’re making small talk, very small talk. I don’t think she wanted to disturb me too much because I was reading and I already had to get up so she could get in the row to sit beside me. After another couple of moments I could feel her looking around again to see if she could find an even better seat. There was one behind me so she got up to move to that one and again I had to move so she could get to it – YES!!!! More electricity and physical contact – you know, the hands on the shoulder thing.

Before the movie started I put the book down, slipped out to the mens room and returned to read a little more. At that point she leaned in and asked if I was reading the book on my own or if my wife requested that I read it. At first I paused, because the question caught me off guard. Then, a second later it made sense – I still have the wedding band on from the “WaMu” commercial. LOL!!!! I told her “No my wife didn’t request I read it because I’m not married and I don’t have a girlfriend”. I explained to her that it was a long story, but in short, I had shot a commercial in which I was married and the prop ring from the shoot was a “good omen”. She didn’t know what to say to that. I couldn’t stop laughing. After seven weeks I usually forget that I have it on, but I guess it makes quite a statement. Why am I still wearing the ring? Because I can and it’s the beauty of being me – I don’t have to have a reason.
All that “electricity” and I didn’t even ask for her number…I don’t think she had a ring on so maybe she was available.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Picketing: @ Warner Bros. Studios. I'm getting better! I'm a freakin' networking king! Not really, but I spoke to three different people on the lines today - two were writers and one asked for my card so she could get in touch with me when her current script is finished. It felt natural and not “networky” which works well for me. First, she really appreciated me, being actor, supporting the WGA and that I am totally invested in the outcome.

I went to another SAG Wages & Working Condition Meeting at SAG last night. I can’t really disclose what went on because of confidentiality, but I have to say we are in the fight for our careers – no two ways about it.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Picketing: Paramount Studios. We received a briefing on the strike lines this morning and it seemed to be encouraging news. I sure hope so; this thing needs to end and soon. I sure hope there is great news on the horizon.

Print go-see: "Viread" @ Brigid McBride Casting. Three digital still photos and I was finished.

Something weird has been happening to me lately.

While at the print go-see today I ran into the other actor who was in the running for the same role in the "WaMu" commercial that I shot in December.

Last week I ran into an actress who was in the running for "the wife" in the "WaMu" commercial. She commented that the last time we'd seen each other was at the first callback. At that moment, for some reason, I just froze - completely. Why? You may or may not ask. I faced the "dilemma" of revealing to her that I actually booked that job. Or not saying anything about the booking and then her eventually seeing the spot and thinking I'm an a**hole for not stating the obvious. I didn’t want to be that person who says “look at me and what I’ve done”. I know it may sound really weird, but I usually detest drawing any type of attention to myself. Sometimes; not always. Stage fright? I don’t think so. Odd? Certainly.

So, after about 10 seconds of silence from me I had this confused look on my face.

I told her the news and, of course, she was very happy for me. It was almost like I felt guilty because I booked the job. That is so crazy! What the heck is wrong with me? It's not like it's the first job I've booked. Another thing I'm trying to get the hang of in '08. I better get the hang of it because I will book more than I did in ’07 – regardless of the strike.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Picketing: CBS Television City. Funny enough this is the first time I had gone to this particular strike location even though it's the closest to where I live. I might not go back to this one because it seemed a little dangerous at times with the way the cars were trying to get into the gate.

I actually spoke to someone this time instead of listening to podcast on my PDA. He was a screenwriter from New Jersey; we had a good conversation. Also, a very nice woman gave everyone that was picketing the hottest, thickest hot chocolate I've had in my life. Nice lady.

Afterwards I went to a Wages & Working Conditions Meeting @ the Screen Actors Guild Headquarters. The purpose of the meeting was to get ideas from the membership in preparation for the upcoming negotiations of the SAG TV/Theatrical contract. Interesting stuff to say the least.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Audition: “Roundup” @ Ross Lacy Casting. This went okay. The second take was better than the first; hopefully they will see that one. I'm not sure what my problem was; the session runner explained it to me well enough. Oh well.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

I had a very interesting meeting this evening. Could I be awakening the giant within? Perhaps…

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Picketing: @ Paramount Studios. Another day on the lines – a short day, but another day nonetheless. I’ll be glad when this is over.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Today was the WGA/SAG Solidarity Rally @ Fox Studios and there was a pretty good turn out. I actually saw several actors I knew from auditioning and workshops. It was great to see actors there today because the writers need and appreciate our support. I’ve tried to devote time out there on the picket lines because I think it’s important for me to not just “take” from this career, but also “give” something to it for those who will follow in my footsteps. All the perks of being a working actor didn’t come easy so I do it in honor of those who did it before me.

I often speak of how much I hate “networking”, but I love organic encounters. I had an organic encounter on the picket lines with writer Janet Lin, staff writer for “Bones”. Janet wrote my character, Darwin Banks, and the episode of “Bones” that I appeared in. I can’t think of a better way to run into her considering the circumstances – very natural, very organic. I didn’t have to “work it”; I just suck at that. I was a great, productive day and I feel like I am part of something big and extremely important.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Last Saturday night a film I appeared in, "The Terminal", aired on ABC; I hadn't seen the film since the cast & screening in June ’04 and I don't own a copy of it. I recorded it because I might want to add my scene with Tom Hanks to my demo reel. I don't think I actually will because I look quite a bit different these days. I don't have dreads anymore and I think I looked younger then. I want my reel to point toward where I can go versus where I've been.

I get a warm feeling every time I think about my experience with that film. I booked it from a drop-off to a casting director I had never met - a major casting office that was on my target list. I later learned that it was the casting associate who I'd met 3 years prior who was responsible for bringing me in for the audition. She had never brought me in before, but I'd been postcarding and dropping off to her for years.

I auditioned on Tuesday July 29th 2003. The tapes were FedEx'd to New York that evening and 2 days later I got the news that I'd been booked. One week of work; one line of dialogue, amongst several scenes - oh yeah, my scene was with Tom Hanks & directed by Steven Spielberg.

This part was, without question, one of highlights of the experience. What did I do?

I doubled my dialogue.

Yup I turned one entire line into TWO entire lines. I think it was one of the smoothest things I've ever done - in the presence of two multi-time Academy Awards winners no less. Trust me, I did it in a fail-safe way that did not respect the rehearsal process. After adding the line Mr. Spielberg actually thanked me directly…and it even made it to the final edit of the film.

Anyway, moving forward, when I was looking for a VHS tape to record "The Terminal" on I put one in and the first thing that came on was a show I recurred on years ago - "Good Morning, Miami" - mid-scene, was the enormously talented Suzanne Pleshette being her normal, funny self. I forwarded the tape to the end of episode so that I could watch it again later.

I remember, years ago, at the table read for the pilot of “GMM”. Ya know when they sit the entire cast around the huge table set up and they have your name card in front of your place at the table? Well I had Ms. Pleshette on my left and the legendary, iconic sit-com director, James Burrows on my right. I asked myself, "how in the heck did I get here?" That's how I met Suzanne; she was always funny, sweet and a pleasure to share the stage with.

Less than an hour after fast-forwarding that tape it was reported that she'd passed on. I knew that she had been in treatment for cancer so her passing wasn't a total surprise to me. She lost her husband, Tom Poston, in '07. Mr. Poston, ironically, played her boyfriend on the show. RIP Suzanne.

Front - Constance Zimmer, Suzanne Pleshette, Myself & Ashley Williams

Back - Mark Feuerstein, Marilyn Bagley, Jere Burns & Matt Letscher

As I was driving North on the 101 Freeway I received a text message from a friend informing me that Heath Ledger had just been found dead in his apartment in New York. I couldn’t believe it. I used to talk to Heath quite a bit back when I worked at The Hollywood Standard. He seemed like a super-nice, kind gentleman – not at all someone that would intentionally take his life. Who knows, it was a long time ago that I had my encounters with him, but I know others that had much more recent dealings with him and they don’t think he was the type either.

I’m not saying that he wasn’t a guy that enjoyed his status and liked to have a good time, but my gut tells me that his death was an accident. I’m sure many versions of speculations into what happened will come out in the coming days, months and years. It really saddened me to hear the news and knowing that he leaves a loving family and young daughter. I remember him telling me his story of having no money after starring in “10 Things I Hate About You” because he was turning down all the teen roles that followed. When I dealt with him he was working on “The Patriot” in South Carolina and staying in LA hotels. He told me to hang in there.

I have a strong feeling that he will still be talked about decades from now. Heath Ledger was extremely talented and will be sorely missed by many.

http://www.stephonfuller.com/consultations.html

http://www.youtube.com/watch?v=7hRX79E75yA

http://www.youtube.com/watch?v=8vMXinr1N9w

Picketing: Fox Studios. It's been a long time since I've voluntarily walked in the rain for so long. It was pouring on us at times, but we remained strong. I didn’t talk to anyone today and my legs are really sore, but oddly enough my feet don't hurt.

Audition: "Midas" @ Liz Paulson Casting. This was a good one for me. I was able to truly tap into some of the new things I've learned about auditioning and acting for the camera in general. I was really on point and precise. Part of it was that I listened really well, understood and delivered my interpretation with confidence.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Picketing: @ CBS Radford. Another day on the strike lines - in the drizzling rain. Not too many people out there today, but I ran into one of my commercial agents – their office is right down the street. And get this! I actually talked to about 3 writer/producers today! Imagine that.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Picketing: @ Paramount Studios. I did a lot of marching today and my legs got a serious workout. I can’t compare to the people who are truly out there everyday, especially in New York, but I’m doing my part. If nothing else, in honor of the ones who bargained and marched before me so that I have the collective bargaining agreement that I current work under. Actors didn’t start getting residuals until the early 60’s.

I’m sure there’s a lot of networking going on out there in the strike zone, but I hate “networking”. Well, maybe “hate” is too strong a word. Better yet, maybe I’m just jealous of those who do it well. Nah, that’s not it either. I don’t do it well, never have. I don’t go out to the strike lines to see how many writers and/or showrunners I can meet – maybe I should. I don’t know, it just wouldn’t be natural for me and it wouldn’t feel right. Actually, often times I have headphones on listening to different podcasts from iTunes. Not because I’m anti-social or anything like that; I’m just an information junkie and various podcasts have been my drug of choice lately. I haven’t listened to the radio in my car for 5 months or so and I’m hooked on podcasts. Truthfully, I’m very low-key and pretty quiet so I don’t have a need to be socializing all the time. I’m a master of observation and speculation; I much prefer to watch others than to be seen.

Don’t get me wrong, I’ve run into writers and I handled myself well because I’m prepared and I am great at recognizing and seizing opportunities that arise in a very natural, organic way. That is the key for me; it needs to feel honest. I’m not going to be pushing my business card on everybody I meet, but I usually have one ready in case it’s appropriate.

Today I did several laps around the entire Paramount Studios Lot and Hollywood Cemetery; all the way from Melrose Ave. to Santa Monica Blvd. and back. I was deeply embroiled in some really good podcasts about politics, finance, real estate the economy, etc. Generally, I prefer being anonymous with my hat pulled low; but I can feel if someone is trying to get my attention through body language – I’m an actor!

So I’m walking, acknowledging fellow marchers and cars honking in support and I saw this African-American guy walking in the opposite direction who I vaguely thought I recognized, but I couldn’t place him. He kinda looked at me the same way. Neither of us said anything and kept it moving.

About 20 minutes later we saw each other again and looked a little harder at each other; he was with other people – I was alone as usual. He gave me the “head nod” and sorta waved me over. I stopped, trying to figure out where we might have known each other from. He sorta remembered my name and I couldn’t remember his, but I knew it started with an “S”. The funny thing is that I normally know his name because I’ve kept up with his career, but I was drawing a blank. It was writer/producer Saladin Patterson.

Saladin wrote the first of the two episodes of “Frasier” that I appeared in and was responsible for me getting the job. It was great to see him and cool that he remembered me. I got to tell him how special that job was to me and ironically it was at Paramount that I booked and shot it; the very studio we were picketing more than 6 years later. I told him it was one of those jobs that actors dream about. I went straight from the callback to Stage 25, where Cheers was filmed before Frasier, to rehearse with Kelsey Grammar. Kelsey, at the time was the highest paid actor in the history of television – $1.6 million an episode. It’s only one of the many cool experiences that I can claim during my career. Saladin also said that he had seen me in some drama stuff recently. He said he’d look me up after all this strike stuff is over and with that I gave him my card. That encounter felt natural and organic at its best.

I’m going to work on this networking thing and trying to be out there a little more. The thing is that I like talking about a lot of things outside of acting, but on the strike lines it’s kinda hard not to discuss the times we are in.

A little while after that I and some fellow actors were interviewed for what I think was the NAACP. They wanted us to speak why we were there in support of the WGA. The reasons are simple; our fight is their fight. Of course when they asked me to speak I was nervous, but I did okay. It’s funny because I have a lot to say on the matter, but it takes me a minute to warm up to being the center of attention.

L to R Paul Keith, Regina Taylor, Gentleman from the NAACP, Rhonda,

Yvette Nicole Brown, Me & Angel M. Wainwright

http://www.stephonfuller.com/consultations.html

http://www.youtube.com/watch?v=7hRX79E75yA

http://www.youtube.com/watch?v=8vMXinr1N9w

Picketing: @ NBC Studios Burbank. There was a surprising amount of people out on the lines on this MLK Day. I have to thank Mr. King and others before and after him for the fighting they did so that I have the freedom to do so many things including supporting writers. Thanks guys and gals.

Audition: "Comcast" @ Ross Lacy Casting. I think this one went well. Implementing some of my new strategies still has me in my head at times, but I think I’m perfect for this spot. Actually, it’s a series of spots. So, hopefully I get called back. My track record with Ross Lacy Casting is pretty good.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

I spent a little time on the WGA strike line @ Warner Bros. this afternoon and for the first time had someone shoot 'da finga' at me. It's weird because when a driver blares their horn it's kind of an automatic response to wave your sign in appreciation. Well this guy leaving the parking structure beeped his horn, I waved my sign and he flipped me off. What's up with that?! No seriously, I understand that not everyone agrees with the writers and their/our plight, but they/we have to do what they/we have to do.

I hope things get resolved very soon and we may be on the way to that since, earlier today, the DGA and AMPTP struck a tentative deal. I read some of points of the deal and I'm not convinced it's a great deal. A good deal maybe, maybe 'not so much' - I'm thinking 'not so much'. I just feel that at the end of the day the AMPTP is going to offer the deal that is going work best for their bottom line and the problem is that the studios/networks are collectively powerful enough to change the model to make the deal work for them…it's not about sharing…at all.

Audition: "Motel 6" @ Francene Selkirk Casting. As I'm on my way to this appointment I receive a call from my agency informing me that there's "police activity" in the area and that there may be street closures.

After having to make a couple of U-turns I finally get there and parked. Up ahead and across the street I could see 8-10 people looking through a fence. When I moved to LA I used to do CD Workshops in that very same area where they were looking so I knew where they were looking, but I couldn't imagine what they were looking at.

As I got closer I could see that that "the people" where actually photographers with very expensive looking cameras. All this time I was on the phone talking to one of my younger brothers, Todd, and I said; "Geez, I wonder what's going on". Then I chuckled and said maybe it's Britney Spears".

As I got closer and could see around the back of the building I saw the familiar huge, black celebrity SUV. "Maybe it really was Britney Spears". So I watched it for a moment; then a few of the photographers started running to where I was. Right then I saw who all the fuss was about. It was Lindsay Lohan.

She walked over to the SUV with two other young women, dealt with the driver, then scurried off to another vehicle; a sleek, black sports car. It was crazy! Photographers were climbing fences in a mad rush trying to get her photo. Does anyone really want that? I could not imagine having people follow me around in that manner. It just confirms even more why I have little interest in "blowing up". I just want to work and build a career. That stuff makes me nervous.

Anyway, after all of that I went to my audition and it went great! I was portraying the father of two young sons "being boys" at full volume in the back seat while I drove the car. I had a great time with them and I really look forward to getting married and having kids of my own.

Later -

Ugh! I knew it! I had a feeling this was going to happen - again. This evening I was skateboarding to my car and I broke my rule of not carrying expensive, breakable electronics in my hand. Why is that a rule? Because I "know" I'm going to fall while skateboarding. It seems simple right? Just stop skateboarding - especially at my age. I can't. It's just the way I'm wired and I'm a little bit of a risk-taker.

Anyway, since I was breaking the rule of having the breakable, expensive, electronic stuff (Bluetooth earpiece, cell phone, PDA) in my hands I decided to skate relatively slow; too slow in fact. As I was skating "slowly" there was a relatively small Palm tree branch in the street in my path. I saw it, but I was concentrating on the cars up ahead that I was going to weave through. This is where the fun starts. I went between the cars and was heading across the street. That is when "Palm tree Paul" turned my life upside down - b:/©h ass!

The front wheels of my skateboard collided with the moustache of Palm tree Paul. First, the skateboard stopped, I went airborne, the skateboard went backward and Palm tree Paul laughed his ass off.

So there I am about 3 feet off the ground - horizontal - with hundreds of dollars of electronics in my hand. In a split second I decided to continue the forward momentum, flip and land on my back. Gotta protect the jewels; thankfully I was wearing my “The Fonz” inspired leather jacket! I got up without missing a beat hoping my skateboard didn’t get destroyed in traffic. It went under a car and into the water-filled gutter – nasty, but in tact.

It's funny because, of the 4 or 5 times I've fallen, it's always the same way. I wish I could see it on tape...I wonder how long it'll be before I bite the dust again.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Picketing: @ Disney Studios. Today the United Airlines pilots and flight attendants joined us on the picket lines – or should I say I joined them since they were there first. It was great to see them out there in solidarity with us. Nice people too. I had a great conversation with Roberto, a pilot for 20+ years with UA. I was fascinated with him sharing some of his experiences a pilot; especially landing a plane on auto pilot. That just blows my mind.

Anyway, it was great to be out there for the cause. I went to a meeting last night at SAG and, like normal; there were relatively few actors in attendance. I mean there are 50-60,000 SAG actors in this market and less than 200 showed up last night. I always learn something new and I’m able to pass it on to other actors that aren’t as informed.

I’m glad I took an interest in the inner workings of the guild from the very beginning of my career. I think it helped shape my focus in truly looking at this as the career it is for me. I need to know about the contracts, pension & health, medical, the future, etc. I don’t have a corporate job with a 401K retirement account so I need to look out for my future now, while I can. Getting my 10th pension credit last year was a great start – now I just need to increase my earnings on my way to the next milestone of 20th pension credits.

I didn’t hear anything about either of the commercials today so they may have moved on without me – or maybe not. No matter, I accomplished what I wanted which was to “show well”.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

ADR: “WaMu”. This is a good sign. It means I’m still in the running. I only had 3 words TOTAL in two commercials, LOL! Who knows, maybe they are changing or adding dialogue.

In the past I’ve spoken about the “anatomy of a booking”. In my opinion, an official booking is about 91.07544% of the way. Just because you book a job doesn’t mean you’ll actually get to shoot it and just because you shoot it doesn’t mean you’ll be in the final edit. Or you may be in the final edit, but it may not ever run.

Anyway, I estimate that doing ADR brings me a couple of percentage points closer to the brass ring for the lack of a better term. So I’ll say that I’m 96.54% of the way now. I have a good feeling about this particular one, but I’ve been in the game long enough to know that “you don’t know, ‘till you know”. I’ve been pretty fortunate thus far, but I’ve definitely had a few things fall through along the way. I look at it as earning my stripes; the more jobs I book the more likely I am to experience the full spectrum of scenarios out there. The session ADR session went well. I'm getting pretty good with doing it these days; or maybe I'm just getting lucky. I saw several people from the ad agency that were at the shoot. It's always so hard to remember everyone from the client and agency because there is so much going on. It was great to see them and they seemed to be very happy with my work. I recorded a couple of tags and such and I was finished. I actually got to see the finished spot and it's pretty funny.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Picketing: @ Paramount Studios. I spent a couple of hours on the lines at Paramount today to show support for the striking writers. The writers really appreciate the support of the actors that come out to lend a hand.

Callback: “Lowe’s” @ Ross Lacy Casting. I went in for this about 3 weeks ago. It was one that I was really in my head about. I didn’t go all that great, but I knew I was perfect for it and thought I had a good chance of getting called back. I remember the issues I had 3 weeks ago; so I’ll get there early and work out the kinks to give myself a fighting chance to show well.

The callback went GREAT! I got a chance to chat with Ross for a bit as well. He asked how the “WaMu” shoot went – Ross is really nice guy and I’m glad to be on his list of actors that he calls in very regularly. He’s booked me 3 times and I expect to book many, many more.

Callback: “AT&T” @ Joe Blake Casting. I had a callback yesterday for a different spot in this same series of new spots. This one went great as well. I was a whole lot of dialogue and I delivered it well I think. Total confidence! I did the first take, got some direction and gave them something different for the second take. I would love to get an avail for one or both of these. It’s been a long time since I booked through Joe Blake Casting – I’m overdue! Well, I’m overdue in a lot of offices.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

I feel GREAT!!! I‘m so anxious to get things moving I can hardly stand it. I tried to make some things happen this morning, but it was not to be. I was a little let down because I HAVE to keep myself busy or I just go crazy. Sometimes I wish I had a 9-5 job. Last night I watched this program on CNBC that covered a week in the life of American Airlines and I was completely fascinated. I love flying and am amazed by the inner workings of an airport. After watching that program I wanted to be an airline mechanic. One can dream right?

Anyway, less than 5 minutes after not being able to make what I was trying to make happen this morning my commercial agent called with a callback for later this evening. THAT is why I put forth the effort, but I don’t get too caught up the results because my zen-side needs space to work along side my logical-side. My universe usually knows much more than me; so I try to trust things.

Actually, I’d planned to stop by to see my commercial agents today anyway. It’s great to be able to walk in and get the full attention of all 3 of the people that believe in me so much. We discussed some of my new strategies and how I’m gonna make ’08 different than ’07. I don’t need them to do anything different – nothing. They are holding up their end of the bargain; it’s me that needs to step up to the plate. They appreciate and respect me as a professional just as I do them. We are a great team. It’s hard to believe it was almost 10 years ago when I wrote them that letter from New York seeking representation. All that time in New York preparing for Los Angeles has really paid off for me.

Callback: “AT&T” @ Joe Blake Casting. This was a last minute role, straight to callbacks dealio. I think it went well. The creative team was behind the one-way glass; so it was just me and the camera operator in the room. I worked with the director of the spot, Baker Smith, on a really funny “USPS” commercial several years ago.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Back in the mix. I was out pounding the pavement today with varying degrees of success. To be honest; I’m not too concerned with what I actually get accomplished in the way of tangible results. Right now it’s more about the effort and just “keeping it moving” in a positive direction. It’s a tricky thing concerning my new strategies because if I try too hard it’ll complicate things in other areas. So I try to keep things on an even keel and just take it day-by-date and moment-by-moment.

I also spent a couple of hours over at NBC with the striking WGA members showing support for their/our cause. I don’t know how much longer this strike is going to last, but it’s definitely putting a squeeze on my potential earnings.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Camera Rolling!! Speed! Scene 2008! Take 2! …and ACTION!!!

I’m so glad the holidays are over! I’m ready to get into ’08 with the quickness. I was up and out in the field early today trying to hustle up some business. I felt like the first kid at the bus stop. It seemed kinda true actually because there wasn’t really much going on today.

It’s amazing that I’ve been implementing new strategies to move forward in my career and life and they put me in a completely different mind-set, but it doesn’t change the hustle…and I’m a hustla through and through. I found myself smiling with excitement like back in the day when I was killing the game with my unique drop-off techniques. It’s so funny thinking back when people were telling me that drop-offs were a waste of time. That’s exactly what I was thinking when I was over the Pacific flying to Tokyo and here in LA rehearsing a scene with Spielberg and Hanks – drops worked for me…and they’ll continue to work.

So after a hiccup in the game early today I ended up getting a lot accomplished. Sometimes, I wished I also worked in the corporate world. I think I’d do well...quite well.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Finally, it’s the martini shot - the last shot of the day.

Often times I hear “man, I can’t believe the year is over; it flew by!” I know I’ve said that in the past, but for me, this year didn’t go all that fast. I guess because I wasn’t having as much fun as usual; I had to brainstorm and dig deeper. Not as much fun, but I did a lot of work to my infrastructure – personally and professionally. I am such the work in progress and I’m very happy with where I’m headed.

For the last 6 or 7 years I’ve been home in Virginia Beach with family during the Christmas Holidays and New Years. Last year specifically was quite the interesting one – I’ve got photos to prove it! This year it’s New Year’s Eve and I’m home alone and I think it’s the best place to be. It wasn’t in the cards for me to go home this year and I’m really proud of the fact that I didn’t just go anyway – it just wasn’t the right thing to do. I actually went to sleep about 10pm, but my phone starting ringing with New Year’s wishes and I couldn’t get back to sleep so I went for a bike ride up to the Sunset strip around 12:30am. Looking back, I can’t believe I actually used to work up there 5-6 nights/mornings a week. Times change I guess.

Sure I missed my family, but I’ve spent about 6 weeks a year at home for the last several years and I knew eventually something would change. I’m quite proud of being able to take that much time off as an actor and the fact that I’m smart enough to do it. I NEED my time away to detox from LA. I knew when I was home this past Summer that there was a good chance I wouldn’t make it home this holiday season. With all of the potential turmoil in the business i.e. WGA, DGA, SAG/AFTRA contract expirations I felt it was smart to play things “close to the vest”. That in itself makes me feel great. Why? Well, it solidifies the fact that this is my career. These negotiations, or lack of, affect me directly. This is what I do for a living – I have the scars to prove it!

One of the benefits of not going home was not having the anxiety of wondering if I was going to have to change plane tickets in case of booking a job. I’ve had that happen a few times and it’s nerve racking and expensive. I normally would have been flying during the time that the “WaMu” commercials were shooting. Things work out the way they are supposed to – even if we don’t like it.

So to that I say CUT! Check the gate! Gate’s Clear! That’s a wrap on Stephon!

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Wow…2007. I’m not sorry to see it end. This has, without question, been one of the most challenging years of my life. Challenge, after challenge, after challenge and so on…and it continues. You have no idea how difficult it’s been for me – trust me. But I have to say “I ain’t no punk mofo! I’m facing it head-on!

A couple of weeks ago a buddy shared with me that he felt I act as though I rarely work in the business. I was a little surprised by him saying that, but after a while I saw where he was coming from. I mean its all relative really to what you expect and from day one I expected to work and make a living as a professional in this business.

I’ve seen hundreds of actor resumes over the last couple of months and I’ve come to the conclusion that he may be right…maybe I am a little hard on myself. I’m definitely a “working actor” with a track record that goes back more than 10 years. It could be because I don’t compare my journey to others. I don’t know. Maybe I need to give myself a break…maybe.

Even one of my agents told me that she was happy with my progress in ‘07. I was actually surprised to hear that…not sure why. I think the smart thing is to trust them on this since they’ve seen a lot more than I have in a global sense as far as actors’ careers go. Yeah, I’ll trust them, but I won’t be any less hungry to move forward.

Other than my younger brothers; nobody really knows what I’ve been experiencing – maybe one other person. The reason for that is that my outlook on things, for some reason, is constantly hard to understand. Of course it doesn’t seem hard to follow to me, but I think I confuse people. I have a way of over complicated things. More often than not others will give you advice or opinions from “their point of view” and not truly try to walk in your shoes to see where you are coming from. This isn’t malicious; it’s very natural that we do it. Ironically, it’s one of the major things that has enabled me to get ahead in the business - understanding why others do the things they do – actually I’m fascinated with it.

Anyway, the magic with my brothers is that they’re very patient with me and give me the time I need to explain my point of view. They know from experience that if they hear me out and truly absorb the finer points of whatever it is I’m saying it’ll make sense. They may not agree, but it’s worthy of hearing nonetheless.

At times, during the year, it felt that it would have been easier to just give in; especially because there are so many other things I feel I can do well. I could do “the 9-5 thing” and excel at it – I wouldn’t be an average employee. Even though there is much more I plan to do in the entertainment business I could quit today and totally feel like a success.

It’s been such a mind-twisting experience and I hope I don’t have to go through it again anytime soon. The crazy thing is that I’ve smiled through most of it. I’m not sure why. I think because deep-down I know it’s all for a reason – a good reason; a great reason. My “logically-zen” mind has guided me up to this point and it will get me through to the other side onto new challenges I’m sure.

Further weird is that through all of the stuff I’ve been experiencing I’m settled with the notion of that I’ll continue to be doing this as a profession for many years to come. That is a good thing for my psyche because I haven’t always felt that – it gives me a foundation.

My heart wants to be in a much more suburban setting, but I’ll have to make Los Angeles work for me. Other than work opportunities there is really no benefit for me to be in “the big city”. I’ve been in LA and/or New York for the last 13 years; “been there, done that”. I don’t need to be on the cutting edge of anything; it’s too exhausting and I’ve never been good at “keeping up with the Jones”. I’ve stopped listening to the radio in my car and have cut down on television news. I’ve been an AM talk radio junkie since high school so that’s a huge step for me. I used to sleep with my radio under my pillow and I’d absorb information in my sleep – at 16-17 years old! I’ve found some podcasts that quench my thirst for learning and hearing interesting things without the sensational “rah-rah” of news as a product. I’m even amazed at how much time I’ve spent in my car in complete silence. It has given me time to think about what has happened and also what needs to happen.

I’m in a great place in my career and I recognize that, but there is more to life than a commercial booking or an episodic airing. I don’t dream of being on the red carpet with people screaming my name; frankly that makes me really nervous. I think in ’08 I wanna take that ceramics class, that typing class, maybe English or a writing class – a dance class might be fun too. Make no mistake I love acting and I get a magical feel every time I get on-set and plan to be on a many different sets next year.

Speaking of writing; I wonder how long I’ll continue to write this blog. For some reason it crosses my mind from time to time. I’m not sure why; I’m just curious as to what would be the circumstances of why I would stop writing. It’s definitely something I enjoy doing; I just wish I wrote better and typed faster. I also wish I was writing back when I lived in New York. Often times I feel like I’m writing it for my kids to read one day; decades down the line. I would have LOVED to have had something like this to read about my father during a certain period in his life. Maybe I’d understand him better and have some sort of relationship with him.

I hope this doesn’t sound like 2007 has been a terrible year – it hasn’t. I’ve just had enough of “some” what it has been – whatever that is. I’m only human and I can only take so much at one time. One thing that I know it’s been is “necessary”. Yes. Everything that has happened has been necessary and I believe that with all of my heart. It has forced me to think deeper and harder when I thought I couldn’t think deeper or harder. It has made me become my own think tank to move forward and I’m thrilled with how things are developing. It’s been a transitional year.

The funny thing is that I was feeling really fantastic before booking the “WaMu” job. I’m still surprised by the set of circumstances in which it all came about and at the same time I’m not surprised in the least. I mean, it’s not any different than going to Japan for a job from a drop-off or working with multi-time Oscar winners Steven Spielberg and Tom Hanks also from a drop-off. Or being hired for a job in Spain – no callback, directly off tape. It’s not any different than having my first audition less than 24 hours after arriving in LA or getting both of my agents from a mailing and still being happily represented by them after nearly 10 years. It’s not any different than being hired by Oscar winning director Steven Soderbergh for “Oceans’ Twelve” and “Ocean’s Thirteen” – and not getting to shoot either one of them. How many people can say that? I own these stories and many more and I’m proud of each and every one of them.

The consulting has been quite rewarding too and I’ve seen some clients get agents and jobs and just generally move forward; but I wish everyone would get immediate results because I’ve met so many talented, dedicated performers that just wanna get a chance to work. It’s been especially thrilling to watch “The Perfect Storm” client move forward in her career. After booking the pilot I see many more great things in the very near future for her.

Without question, one of the most thrilling accomplishments for me this year is that I earned my 10th SAG pension credit – which means I am a vested member of the Screen Actor’s Guild and eligible for a pension anytime after the age of 55. I earned 10 pension credits in just 11 years; it was definitely a goal of mine from first joining SAG. I earned medical coverage after my first year in SAG and have maintained it continuously.

I’ve always paid attention to the inner workings of SAG because, as a performer, it can be more difficult to look out for your long-term future. I don’t pretend to understand all of the politics and stuff, but attending the meetings and reading the literature over the years has really helped. No, SAG isn’t perfect and it especially irritates me that SAG leases office space and doesn’t own its own building after 75 years – don’t get me started. At any rate, SAG has been good to me and after this year I have a new found appreciation and respect for them.

So with all that I’ve written; I say bring ’08 on. I’m ready!

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Physically, I’m in serious recovery mode after working this week, I’m unbelievably sore. My entire body is aching; from my neck to my toes. BUT I gotta keep movin’ forward. First up is a phone call to my commercial agency to see if I can get in for callbacks for the audition I couldn’t make yesterday while shooting. Part of me believes that it’s really okay that I missed it because of the conflict category.

Well, more accurately, it doesn’t have any conflicts because it’s an “internet only” run. The thing is that it’s in a “category” I’m a little protective of – a category I’ve worked in before and made good money in. Plus, the director for those spots doesn’t usually have callbacks – so you start a second base. Maybe not the smartest reason, but it’s what I’m thinking. I mean, if they agree to let me go to callbacks I’ll definitely, but I’m not going to push the issue.

Next is an email to my commercial agent who handled the booking detailing my exact hours for each day of work – including the 3rd audition, the 6 and ½ hour fitting, the forced work call and the stunt bump. I have to keep track of this stuff. I recently had a little situation concerning a job I did for Fox Studios. It was nothing too major, but several hundred dollars of which I get 90%. I handled it directly; on my own.

The assistant at the agency called back to let me know that the casting office will bring me in “if” they decide to see anyone on a first call at callbacks – didn’t sound promising, but that’s okay.

Now, I drive over to my commercial agency to meet the two new assistants in the commercial department. Both of current assistants are moving on to new opportunities more in line with their career aspirations. They’ve been great and I wish them the best and I want the new crew to know who I am in 3-D. While there I discussed the shoot with my agent. She explained how the pay works when doing multiple spots in multiple days and gave me a few other tidbits of good news about the commercial.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Shooting: "WaMu" @ Sunset-Gower Studios. For me, the moment of truth arrived at 9am on Stage 7. I had to deliver the goods and to be honest; I was nervous. I didn't think I would straight up fail; I just didn't want to be the weak link.

So I check-in with the 2nd AD and get nourishment in the form of breakfast. I wanted French toast, but I didn't want to take a chance on feeling “all blah” from the sugary syrup.

About an hour later I'm finishing make-up and called to wardrobe. I didn't totally know what to expect as far as my costume because they were redoing my top and altering the pants.

Yesterday, when I tried on the pants, I was wearing boxer briefs. Since the pants are so tight, things got kinda bunched up under there. So the wardrobe person suggested I wear a thong or go bare back for the shoot. WHAT!?!?! Thong-th-th-th-THONG?!? I don’t know about that. I am definitely not going commando or bare back, the thong-th-th-th thong….I admittedly thought about it. Hey, it would have been part of the job AND it would’ve given me and my brothers something to laugh about. THAT, in itself is worth it.

Anyway, I elected to just wear brief underwear….and bring a back-up pair that I could cut into a thong-th-th-th-thong if my “panty lines” were showing. What the heck have I gotten myself into? So I tried on the top and it fit like a glove. I looked in the mirror and was like “OH SNAP!!” I felt like a freakin’ starrah, LOL! …until I looked down and saw the “snap-crotch” dealio hanging in the breeze. Not this again…yup I reached down and snapped myself up. I just shook my head.

Now for the pants. OMG!! They were SO tight after being altered, they actually made the crotch tighter. A brother had NO room down there…none. I felt asexual. There was no way I’d be able to fit my David Lee Roth “bulge sock” in there now…ya know how rock-stars do it. Whatever….

So I get them zipped and snapped up and …oh sh*t I look kinda aiight!!! I mean I can really wear this get-up. I turn around to check my backside in the mirror to see if there are any panty lines…butta! I FEEL GOOD! I’m tellin’ ya; this suit was fo real!!! Flare legged pants, V-neck, tight sleeves…and accented in rhinestones!!! I’m ready. Let’s not forget that I’m still in the dressing room…by myself.

LOL! Now it’s time to walk from stage 8 where we filmed the bank stuff to stage 7 where the dance sequence was to be shot. This meant walking past normal people while, basically, wearing a clown suit. I must admit it felt a little weird at first. I now have an understanding when women tie sweaters or jackets around their waist so their a** isn’t completely on display for men to google at. At least that’s why I think they do it. For the record, I’ve never once turned back and looked at a woman and wondered what was under the jacket tied around her waist…never. I wouldn’t do that…that would be so wrong of me. What woman, in her right mind, would want a man to wonder what was under the jacket around her waist?

The walk to Stage 7 took, what seemed, an eternity, but I made it. I got the once over, from the directors, Will & Josh, the creative team and the crew. Everybody seemed very happy with how the costume came out. The wardrobe person asked what I was wearing underneath…I just smiled. So I linked up with the choreographer, Eboni Nichols, for some warm ups to get in the space to perform. My wife showed up looking fabulous in her dress and we were ready to rehearse.

My mind was racing a mile a minute. What a minute – “A mile a minute?” I’ve been saying that for years, but what does it really mean? That’s only 60 miles an hour. My mind was racing at least 150 miles an hour. So, here we go; my mind was racing “2.5 miles a minute” as we set up for the first dry run. I do my dance move and my wife and I come together for the lift. It doesn’t go so great, but it’s not bad for the first one…to get us in the mood. Will comes out from the video village to give notes and we go at it again – better, but still not there.

About now we starting actually filming, getting notes, filming, getting notes, etc. Obviously, my wife was rigged in a harness under her dress, but there was definitely some lifting on my part involved. Plus, the moves were super complicated in order to sell it. Part of the joke was the fact that I am a little guy and my wife is a larger woman. That coupled with the fact that we are running together for me to lift her in this dance sequence was challenging to say the least. Stay tuned.

Between camera set-ups I checked my voicemail and my agent had called with a last minute commercial audition for this afternoon. I don’t think I’ll be able to make it, but I’ll keep it in the back on my head. I love that about them; even though I’m working they are still trying find new work opportunities for me. We are on the same page with that sort of thing. On the day that I had a 1pm call time I let them know I was available from 10am until 12 noon for appointments. Gotta run a tight ship.

The really important thing for me to do was to get a good grip on her thighs to support her. Much easier said than done; the material of her dress was so slippery that my hands kept sliding. On most every take I would get a face full of rhinestones from her dress, breasts from her chest or something hard from the rigging apparatus underneath her dress…or a knee. Trust me; I was earning my stunt pay bump.

Quiet on the set! We’re Rolling! Speed! Action Eboni! 5-6-7-8 and 1…

My wife, Shante, does her spin…On the other end of the stage Stephon does his “cool dancer guy” move. Shante begins to move toward her loving husband in the center of the stage; Stephon does the same.

It was around this time that my life went into slow motions. I was determined to “grab those thighs with meaning” and get it right this time. My game-face was on and I was mid-stride coming toward my loving wife. Still in slow motions; I went low for the perfect grab and that was when I felt rhinestones, flesh, chest, breasts, my glasses become one with my face. Right about then is when I saw the white light. The sound of my neck cracking seem to go on forever. At this point I was standing completely straight-up getting ready to fall completely straight down. I instinctively grabbed onto her as the birds started chirping and flying around my head. I just held onto her because otherwise I was would fell the eff out right on the stage. My a** was Dazed and Confused fo real!!!

Everything shut down for a moment while I sat and gathered my bearings. I was twisted. Will came over to check on me and said that, funny enough, until the collision that that was the best take of all. Still dazed; I laughed and said “At least I know where I need to be now”. I chilled for another 5-7 minutes and was ready to work again.

It reminded me of an incident several years ago on a shoot. This acting/stunt stuff ain’t easy kids.

Back to the task at hand; things started to come together. I felt better with each take and I eventually heard that great phrase, “We’re moving on!” YES! I did it! I delivered the goods. But I wasn’t totally finished; there was a little more dancing to come.

I have to tell you; I really felt like a performer while doing this. I mean, my wife had pretty dress on which was slightly odd, but what I was wearing was out of this world. I became completely comfortable in my costume and my work; not self conscious at all – no jacket around my waist! I even had one of the female crew members tell me that I had really “nice buns”! WHAT!!!! I couldn’t believe it! Now that I think about it I’ve been told that before, but I never took it seriously. Oh sh*t. Watch out for Stephon in the ’08 – professionally and personally. “Nice buns” get women all kinds of attention – for better or worse.…I wonder what it can do for Stephon…

Thankfully, the one hour lunch was upon us. I felt great, ate, read and relaxed because I knew my little dancing part was to be filmed soon. I went back to the stage early to get warmed up and ready. The dance moves were constantly changing so me, not being a dancer, really had to be on my toes.

We shot two different versions of my dance moves; one for each commercial and it went well I think. With that, I was wrapped for the shoot. I got back in my street clothes and the PA who walked me back to set to sign out didn’t even recognize me once I got swagger back. No more rhinestones, no more crotch snaps!

I didn’t make it to the audition that my agent called about earlier; I’ll try to get into callbacks tomorrow. But I will be able to make it to my training tonight; I’m really tired and sore, but I gotta do what I gotta do…I even did a couple of drop-offs before leaving the lot.

The screen on my digital camera finally broke so I didn’t get any great photos like usual, but hopefully a few will be sent to me.

Ironically, I auditioned for and had a callback for the last “WaMu” campaign back in February ’06. This isn’t a campaign, but it’s a great feeling to book something – especially something I didn’t even have an appointment for.

I know I shouldn’t be, but I’m still in complete amazement that these new strategies have paid dividends in such a direct way and in such quick fashion.

P.S. Everyday, including the last day I left the set and forgot to return the prop wedding band I was wearing. It looks okay on my hand - maybe I'll continue to wear it. If I only could of kept my dancing costume! It would have been perfect for Halloween in West Hollywood.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Shooting: "WaMu" @ Sunset-Gower Studios. Today I had my first experience with ''motion capture". I can't really explain what it is, but it's very tedious and specific work. "My "wife" had the bulk of the work to do; so I was able to largely observe and learn.

I also tried on my custom dancer costume and let me tell you; I felt like a star! The top was different than yesterday; this one had the built-in underwear thing going on, but no snaps because it wasn't completely finished. Since it didn't have the crotch closure thingamajig the wardrobe person had to fasten it with a safety pin. Yeah, it was interesting having a woman down there...around the family jewels...with a saftey pin in her hand.

Next up - the pants. The pants were so snug that they felt like a second skin. They were made out of a stretchy cotton which made them pretty comfortable.

They took measurements of both garments and decided to alter the pants and remake the shirt entirely.

Afterwards, I was reintroduced to Eboni, the choreographer from the first callback. Oh sh*t, it was time bust-a-move! While we worked on some semi-fancy footwork "my wife" was being prepared to fly in the rig.

There was a professional stunt person working with her so I mostly watched and tried to get a feel for what was going to happen tomorrow. Eventually, one of the directors came to the stage and we showed him what were working on. I admittedly got a little nervous with my dance moves, but he got the idea. I also practiced lifting "my wife" in the rigging and I have to tell you I have my work cut out for me. It's just really complicated.

Shortly afterwards I was released for the day. Somehow, some way I have to deliver the goods tomorrow.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Shooting: “WaMu” @ Sunset-Gower Studios. My 1pm call led me straight to a one hour, catered lunch. Nice way to start the afternoon. One of the first people I saw was my “wife” in the spot. The finally made the decision after we left last night. I still feel for the other young lady who didn’t get the spot, but I’m sure she’ll get something else.

There was a lot going on today; they were shooting parts of 3 different spots. It ended up being about 5-6 hours later before I started shooting any of my stuff.

The directors of the commercials are the team of Speck & Gordon. It’s the first time I’ve worked with two directors before. I watched their directing reel and found out that they directed some of the Geico Caveman commercials. I LOVE those commercials; I even have two T-shirts in honor of them. I normally wear the shirts and there was a great chance that I would have naturally worn one of them on 1 of the 4 days of work. After I was aware of the connection I felt a little weird. I didn’t want to NOT wear them, but I also didn’t wanna come off as weird. I figured, “hey, it’s organic, I have these shirts for a reason”. So I wore one of them; I had my jacket on so you couldn’t really read what they shirt said. Funny, enough as I was walking into the wardrobe room I ran smack into one of the directors; like almost face-to-face, and he saw my shirt, opened my jacket and read it. It was pretty funny because he had never seen that particular shirt before.

The shooting went well; I think they got all of what they needed and were happy with the performances. My call tomorrow is a crisp 7:30am for motion capture, rehearsal for dance and teaching me to work with rigging for my “wife”. Since we have less than a 12 hour turnaround for our call in the morning we will get an extra fee - I guess I should go to bed.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Audition: “Lowe’s” @ Ross Lacy Casting. Ugh! I don’t know how this one went. I’m really working on listening and interpreting at a higher level in my auditions. So far, I’m getting mixed results. In this one I so obviously missed one of the major directions that screamed “he’s an also ran”. That’s not were I want to be. Don’t get me wrong I’ve booked enough jobs to be convinced that I know what I’m doing, but I think I can know “more of what I’m doing” – and get better results.

The session director was kind enough to give me another shot at it, but I shouldn’t have needed that, at least not for that reason. I probably wasn’t as bad as I thought, but still, there is a lot of room for improvement. That said; it wouldn’t surprise me at all if I get a callback.

Audition: “Titleist” @ Pop Casting. Since I have my fitting for “WaMu” today I decided to try to go to this audition about 3 hours early so I won’t end up having an anxiety ridden afternoon. There was quite a bit of copy for this one that I had been working on since last night, but I think I had a pretty good handle on it. So I arrive at the facility and I noticed there were only women there. I figure I was out of category and I would need to return at my correct appointment time. I explained to the CD that I was early, but she said “no problem, go ahead and sign-in”. So I signed-in and began working on my copy.

A few minutes later the other CD partner in the room announced that we really needed to have the lines down because this particular director likes for an actor to tell a story and not be held up by not knowing the lines. “Cool, no problem” I thought. So I went outside so I could work at full volume.

After a moment they were calling my name to go in the room and I felt ready. I was paired with this beautiful woman portraying my wife who I had auditioned with before (she seemed like she’d be a cool wife in real life too….) Anyway, so we both slate our name and they explain how it’s to be read. During this time I glanced at the copy on the board and it didn’t look the same as what I had been rehearsing.

Oh Sh*t! It’s NOT the same copy! I am, in fact, out of category. So the CD is just getting ready to say “Action!”, and I’m seeing this piece of wall-to-wall copy for the very first time. At that point I had to stop and tell her I was early because I have a fitting to go to. I explained that I was told by the other CD partner it was okay to be early and she was cool about it.

I was already slated on the tape so they kinda needed to just get me up to speed. I’m apologizing like crazy while trying to get 25 seconds of copy down – NOW! I started to warm it up and they all seemed very impressed with how quickly I was picking it up. I was not impressed at all, but they made me feel like a pro so I went with it. We laid it down the first time and it went okay; the CD seemed genuinely happy. She gave me a little more direction and we did it again. It was all good and my wife…I mean the beautiful African-American actress who was portraying wife…continued to praise my performance as we went to our cars. Whew!

Fitting: “WaMu” @ Sunset-Gower. I arrived at the studio just in time for my fitting, but you know how Hollywood usually works – hurry up and wait. It was no problem for me because I had gotten the important things I needed to get done today finished. I was there for more than an hour before I even tried on my first garment. I don’t think I’ve ever been to a fitting for more than the allotted hour. Of course, being a guy, it’s usually pretty simple.

Two hours pass and I’m trying on stuff, getting Polaroid’s taken, digital stills taken and then I wait for 30 minutes. It was like wash, rinse, repeat. Wait a minute, I need to back up, myself and someone from the wardrobe department didn’t get off on such a great foot. You see, I’m usually a super nice guy, but I don’t like to be disrespected. Don’t get it twisted, I can be a straight-up asshole if needed and it was brought out of me for a brief period of time. I’m proud of that side of me and I have no problem using it if I need to. I treat people with respect and I demand that in return.

I remember back when I first moved to New York; I wasn’t sure if I’d be able to handle myself with the “City Slickers”. I didn’t want to get pushed around, but I was just a Southern kid from the ‘burbs. I made it through New York just fine; my more stern side came out whenever I needed it. I was proud of that because deep down I’m a bit of a pleaser.

Anyway, the fact that I was there for so long turned out to be a good thing because it made the time I had to “fight fire with fire” seem shorter. I was also wondering about the second commercial I was supposed to be doing. There was absolutely no evidence that I could uncover that I was doing two spots – other than my agent telling me so; and my agent is on her game so I knew there had to be something to it.

By this time “my wife” from the 3rd audition arrived for wardrobe. I was happy to see her because she was nice and so patient and helpful to me. A little while later while chatting with her I found out that she hadn’t been actually cast yet, but was technically doing a wardrobe, hair and make-up test – a type of “hold”, very different than “an avail”. This was her 6th time coming in for this job. She informed me that “another wife” was there at the studio as well and they were being kept totally separate. I wasn’t sure who the other “wife” was, but I was really glad that I was officially cast and wasn’t going through that madness.

4 ½ hours later –

I’m still at the studio and yes, it’s confirmed that I’m shooting two spots – I was given the copy for both. By this time I’ve met producers, clients, both directors, etc. I couldn’t imagine I’d be at the fitting for 4 ½ hours, but I wasn’t complaining – other than being a little chilly. The craft services table had some of the best strawberries I’d tasted in a long time.

I got a glimpse of the “other wife”; she was the sweetheart I rehearsed with at the first callback. I’d love to work with either one of them and hate to think that one of them is going to get the news that in a couple of hours that “you’ve been released…”. Again, I’ve experienced that enough times and I’m glad it’s not me.

All the clothing I had been trying on for hours was for the first part of the commercial. After that was all set the wardrobe assistant gave me the shirt for the dance part. Oh Sh*t. I thought it was a woman’s blouse at first. I went to put it on and I saw that it had a crotch with snaps. WHAT!?!? Yeah! So I’m looking down at the dangling snaps and I felt like I was crossing a line that would threaten my manhood. Do I snap it up or do I not snap it up? That was a no-brainer. I snapped that mofo up like I was one of The Nicholas Brothers! Yeah! I felt really weird, but I also all of the sudden felt like I could dance my ass off. Long live my snapped up crotch!

Another hour later –

I’ve been here since noon and it’s now 5:35pm and I just got released. Wow. So I got back into my street clothes, signed out and was just grabbing my bag to hit the door when the 2nd AD informs me that I need to stay longer. A few minutes later they released one of “my wives” and told her that she should get the call if she’s booked in 90 minutes. Ugh! I’m so glad it’s not me! I have a feeling I know which one they are going to go with….guess I’ll know tomorrow afternoon at 1pm.

After being at the Studio from noon until 6:20pm I was finally released. What a day; a very productive and profitable day.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Okay so today is the day I should find out whether I’m book or not on the “WaMu” commercial. The “Texas Lottery” one may be a couple of more days since it doesn’t start shooting until later next week.

I felt really good about how it went yesterday so hopefully I won’t get that call that says, “Sorry Stephon, but you’ve been released from XXXX. We’ll get’em next time”. Do you have any idea how many times I’ve gotten that call? Too many times, but I remain positive that I’ll strike again.

So at 10:51 this morning my cell phone rings the familiar “commercial agency ringtone” which is the UB40 classic “Red Red Wine”. The ringer means celebration to me in the upbeat world of commercials…and, of course, my love of red wine. Nothing like a great bottle of Merlot with dinner. Right?

By contrast my “theatrical agency ringtone” is “Enter Sandman” by Metallica signifying the potential drama of the theatrical world. I love that song; especially the drums. Another favorite for a ringtone is Mariah Carey’s “We Belong Together”. I don’t really have a place for it right now – might have to work on that, plus I don’t pay for ringtones.

So the song “red red wine” finishes playing and I retrieve the voicemail expecting the “yay” or “nay”. I get neither. What I get is the news that they want to see me a third time – today, in a couple of hours. Cool. I’ll be ready.

So, again, I decided to walk to the casting office instead of driving. This time I walked with the spirit of a dancer. I wish I could have seen my version of carrying myself like a dancer. I’m sure it was funny because I don’t have the poise and posture of a dancer. BUT I can fake it - sorta.

I arrive at the casting facility and there are only 3 actors there – including me...and one of them was a woman. It was her 4th time auditioning. The way it looked to me was that it was down to me and the other guy for the husband role – at least that’s what I thought. The session director had notes for he and I; I’m assuming they were from the director. They weren’t notes on the casting log; they were written on lined paper in pencil. For some reason that was comforting to me.

Actually, there are two directors on this spot. The notes for the other actor were about the scene part and my notes were to “have more fun” on the dance part. I could immediately see that the other actor was a much better dancer than I.

He went in first and I practiced “having more fun” by myself in the lobby. I guess you could say I practiced “Dancing With Myself”. After a while it was my turn and I was, at least, ready to have fun, but I’m just not that good of a dancer.

No one from the creative team was in attendance; it was just the session director, my partner and myself.

Thankfully, “the wife” was nice, willing and very patient with me. Also, the session director was a former dancer and able to give me tips too.

…forgive me, but I’m leaving some details out…

The phone rang about three times while we were running through it before taping the performance; that gave me more time to practice. Then we put it on tape twice. From the reactions from the session director it seemed he was really happy with the results.

I’m not sure if the creative team were watching live via some connection. I don’t think so, but you never know. But I’ll tell you this, I got word I was booked from the casting office within 60 seconds of finishing the audition. Seriously, maybe 45 seconds.

…leaving out a little more…

So I walked home feeling really great. I would’ve felt great anyway, because I did the best I could. The bigger reason I felt great is that the main reason I booked is because of the new strategies I’m implementing. The drop-off thing was phenomenal for me, but I needed to shift things in order to move forward. I’ll still do drops, but they’ll play a different role. And get this, I wasn’t even submitted on this – according to the notice I was 3 inches to tall.

Forty-five minutes later my agent called with the official booking. First, I find out that this booking effectively takes me out of the running for the “Texas Lottery” spot because “WaMu” added the extra day. Honestly, the “WaMu” job has much more potential financially and exposure-wise. Nevertheless, I was really hoping to go to Dallas and also really wanted to finally book a job at Craig Colvin’s office, but it wasn’t meant to be – this time. I also really wanted to finally book a job at Craig Colvin’s office.

Funny, I was just talking about being “on hold” vs. being “on avail”. If I was “on hold” for “Texas Lottery” it could have been a very different ending to this story.

Oh yeah, something else she told me was that it’s 2 commercials I am booked on for “WaMu”. I have no idea what the other one is.

This is the way my new plan is supposed to work “in theory”, but it’s even surreal to me that I’ve already seen concrete results. I’m laying the groundwork for ’08. Bring it.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Callback: “WaMu” @ Ross Lacy Casting. I wasn’t quite sure what to expect for this one. I figured I’d be doing my flawless dance moves again, but this time with an actual woman instead of by myself.

I decided to walk to the casting office from my apartment so I’d be loose and ready do my thing. I got there at 10am, signed in and scanned the lobby to see who I might be paired up with.

Part of the funny in the spot is that the husband is really small and the wife is a “woman of generous size”. Sure, I’m a little guy, but I’m not tiny by any means. Both of the other guys I auditioned with at the first read were significantly shorter than me, but I wasn’t going to worry about that.

So I was eventually paired with this sexy, really attractive “large and in charge” woman – a lot larger than me – a lot sexier too. I’m not a good dancer so I needed all the help I could get and we decided to practice before going in together.

One of the guys who had already gone in was kind enough to teach us the step we’d be doing together. I was rusty, but trying to get the hang of it and not take it too seriously. Sista girl was making it happen and let me know that I was wack as hell – whatever.

Anyway, a moment later the choreographer came and paired us up again – this time with different people. My new partner was older, larger, a better dancer and very serious. I’m funny, but not that serious – this could be trouble. I wasn’t sure how it was going to work between us. We practiced and I sucked, but I was really trying. I just needed a bit more time to relax into the steps.

I probably weighed half as much as she did and I think she was taller than me too; so I couldn’t really push her around too much. By the last rehearsal I was starting to “feel it” and actually have fun.

A few moments later we were in the audition room ready to slate our names. I could see how we looked together on the monitor in the one way glass and just the sight of us was hilarious. The dialogue part of the audition went really well; I didn’t do too much and fall into trap of “needing too act”.

Now the dance part. I felt kinda ready, but I was still shaky. Right before we started our 8 count I got all frisky and funny. I HAD ARRIVED!!!!

At this point my life went into slow motions. A smirk somehow found its way to my face and I said, under my breath; “come to me baby!” In one blissful moment our hands met perfectly. Then, my life, still in slow motions, went cold - I began to turn – THE WRONG FREAKIN WAY!!!!! Noooooo!!!! Yes!

Go back – about five minutes earlier when I said that I weighed about half as much as her. Sistergirl MUSCLED my narrow ass back around in the correct direction and with that we were off to the races. She probably couldn’t even tell that my dainty ass was going the wrong way. The rest was lovely and we ended with a bang. I felt pretty good and she felt great. The director seemed very happy too. She complimented me on the way out and said I was funny and wonderful. I told her she was “wonderfuller”. So that was that and I walked home with a smile on my face.

Two hours later @ 12:40 I got a call saying I was on avail for the spot. Great! My agent informed them of the 17th, 18th & 19th slightly conflicted with the dates of the “Texas Lottery” spot which are in the 19th, 20th & 21st. They seemed pretty confident that I could do both spots if I booked them.

Two more hours later my agent calls saying that “WaMu” added the 20th to the shoot dates. They also asked that if I had to make a decision which one I would prefer to do. My answer “both of them”, lol!

Later, I stopped by my agents’ office and spoke to everyone and they said that the CD of “Texas Lottery” spot was being really cool about the potential conflicting situation. That’s great because these are the two commercial casting directors that call me in the most frequently. I would love to book both spots and it’s very possible.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

Audition: "Bud Light" @ Alyson Horn Casting. This one was fun and I think I'm right for it. I’m going through an interesting transition for commercial auditioning and it’s going to take some getting used to. Nevertheless, I think this one went well.

Not that I think it really matters, but I remembered to cross out the last line on my resume that says "I've never had alcohol in my life". Why give them a reason to not call me back for the “Budweiser” commercial?

In the second part of the audition I was to sit at a bar with a beer in hand. That always feel so weird to me because I feel that it’s obvious I’ve never drank a beer before. I try to hold it like “one of the boys”, but it feels so foreign to me. Sometimes I wish I drank alcohol ‘cause it looks so damn cool. Ya know, yell to your roommate “bring back some cold Bud Light!”…maybe not since I don’t have a roommate. Drinking beer might be one of those things that I never experience...

After leaving the audition I figure I'd call my commercial agency to see if I can go straight to callbacks for the audition I missed yesterday. I figured it was a long shot, but worth a try - what do I have to lose? The assistant at the agency said he’ll call me right back and 7 minutes later he delivered the good news. Cool, I got an appointment for the callbacks this afternoon.

Callback: “Texas Lottery” @ Craig Colvin Casting. It went great! At least I think it went great. The spot is pretty funny too. I have never booked for this office, but I have a decent callback/avail ratio. We’ll see what happens.

Great! A couple of hours later I get the call that I’m on avail for the “Texas Lottery” spot. Then, shortly after that I get word that I have a callback for the “WaMu” spot tomorrow morning.

This could get interesting – an avail for “Texas Lottery” and a callback for “WaMu” with possible travel and conflicting dates. I’ve already accepted the avail, but an avail is a courtesy and not a legal, binding contract. My availability can change at any time. I’m really just thinking out loud because I haven’t even gone to the “WaMu” callback yet, but being a veteran of sticky situations I know how quickly things can get - sticky.

I bring this up because often times I hear actors say “I’m on hold for a commercial” which is almost never the case. More correctly, they are on avail. A “hold” and “an avail” are two totally different things. Truly being “on hold” is akin to being on the payroll – an “avail” is not.

I explained this to my “Perfect Storm” client who recently booked two weeks on a pilot. The first week she was only scheduled to work one day, but I told her she is in “first position” to that production company for the entire week unless other stipulations have been made in her contract. Basically, they own her, lol!

I went over what SW (Start Work), W (Work), H (Hold), WF (Work Finish) and SWF (Start Work Finish) mean on the call sheet. Sure enough, after working the first day they ended up needed her the next day as well. I said, “Did they ask you if you can work tomorrow?” or “Did they tell you that you’re working tomorrow?” She said, they "told her she’s working tomorrow”. These differences in terminology aren’t usually a big deal, but when they matter, they matter a lot. I used to say “things usually work out for me” quite often, but that doesn’t seem so much lately. I think the tide is turning for me and ’08 is going to be incredible.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w

I knew this was going to happen sooner or later and I told myself that I’m just not going to worry all that much about it. I’ve always been very available to audition during the day without conflicts – unless it was other auditions. But now some of my days are occupied with training or working. That means I’m going to miss some auditions – I had the talk with my agents and they are very understanding of the situation.

So today I missed my first commercial audition in 9+ years due to working on something other than an acting project. I thought I was really, really right for it too – and it shoots out of town. I’m overdue for another first-class flight somewhere and a 5-star hotel stay. It certainly isn’t in my personal budget. The only times I’ve ever been abroad have been because of commercials. I’m also really overdue to book at this particular office – crazy overdue.

Funny, I have a friend that I consult and she was going to take a commercial course with a particular teacher. I didn’t have a problem with that teacher, but I thought it would be smarter for a couple of reason to study with this casting director/teacher instead. He has since cast her in 3 commercials and brings her in pretty regularly. He brings me in regularly too, but I haven’t booked squat – never – not yet.

Actually, I ended up breaking even for the day because I got a same-day appointment for a different commercial that was fun and went pretty well. Six of one; half a dozen of another…

Audition: “WaMu” @ Ross Lacy Casting. OMG! I had to learn a dance number for this with a choreographer. I suck at dancing; I mean I truly have two left feet. I can learn steps, but it takes me longer than most and even then I look crazy stiff. Eventually, when I get the moves “in me” and I start looking like Usher! Not really; maybe more like Pusher.
Anyway, me and the other two dudes were supposed to have women auditioning with us, but it was right before lunch and no women were there. I think if I had to do those moves with a woman somebody would’ve gotten hurt. Nevertheless we had fun and I think the choreographer was pleased.

http://www.stephonfuller.com/consultations.html
http://www.youtube.com/watch?v=7hRX79E75yA
http://www.youtube.com/watch?v=8vMXinr1N9w